Y |
T |
W |
I |
M |
D |
W/F/_ |
A |
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Works Cited Cart |
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2025 | Other than | Criticism./Two toy lenticular watches. One found, the other a copy./Alternate title: Parrot 0. See also, _ _ _ _ (_) and this. |
![]() red ![]() |
Toy watch; TPE watch with digitally printed polycarbonate film dial; bands wrapped inward; boxed as a pair; edition of 3 pairs |
Each .875 × 1.75 in; overall dimensions of pair varies Box 2 × 2 × .75 in |
Re Parrot (pej.) and pal | Z |
O |
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2025 | Untitled (“a future that would be different”1) |
Addendum to 9789077459690:25 | ![]() orange-peach-pink |
4 documents (~22,536 words)/30pg; digital print, 8.5 × 11 in sheets folded (3 of 4 documents stapled indiv.) in envelope with postage indiv. addressed to recipient; web-based form; print on demand, edition of (up to) 30 |
6 × 9 overall | B |
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2009– 2025 |
Architecture Hotline |
architecturehotline.com 1-877-ARCH-HOT Operated anonymously; now defunct. |
![]() white ![]() |
Website; (phone/text) hotline | 16 years | Z |
ZA/W |
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2025 |
_ _ _ _ (_) | Criticism/On relational preferentialism and social capital, etc. | ![]() black |
Color _ (back of _ shown at left) in envelope | 8.5 × 2 in _ in 8.75 × 2.25 in envelope |
M |
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2024 |
Stubs (font) | Font for paste-downs and title pages of Stubs: 2001–2010 by John Jaewon Kim (Booklet, 2024). |
|
2 styles | Z |
M |
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2024 |
9–5 II. 2018–2024 | See 9–5 I.'s description. | ![]() grey |
Digital print on random/old/found grey continuous stationery, staple bound, 32pg; 67 copies | 4 × 7 in | B |
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2024 | Seven views of the Empire State Building |
Desc. | yellow ![]() |
Digital print, staple bound, 12pg, edition of 102 | 4 × 7 in | B |
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2024 |
Greens | Eyeglasses Also |
![]() green ![]() |
Acetate Edition of 3 |
43-22-145 | Z |
O |
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2024 |
1d461.com | t Misc. redirect |
— |
Domain name | Z |
W/M |
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2023/ 2014 |
Never | Additional copies. See |
![]() white ![]() |
Pinback button, numbered edition of 100 (editioned on pin) | 1 in diameter | O |
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2023 |
Quackers | The Big Duck on the Move in 2007, etc. Compiled in 2021, printed in 2023. Note |
![]() red |
Digital print, staple bound, butcher paper dust jacket, staple bound, edition of 16. Second edition soon.𓅭 |
5.1 × 7.8 in booklet, 5.2 × 7.8 in overall | Z |
B |
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2023 |
Even hand | Desc. Published by If a Leaf Falls Press. Designed by O. Tong. |
B/w, staple bound, 20pg, edition of 100 | 12.7 × 20.3 cm | Z |
B |
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202#– |
__________ | — |
_ _, _, # _, _ _s; _ _ _ subscribers; and project website 30 issues as of 250400 |
#.# × ##.# in _,
##.# × ##.# in _ |
Z |
B |
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2022 |
inshort.info |
Digital adjunct for In short– |
— |
Website |
Z |
W |
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2022 |
In short– | Very short stories on obscurity, readership, time, despair and optimism. Published by Run/Off |
B/w, silkscreened cover, staple bound, 44pg, edition of 100 | 8.5 × 11 in | Z |
B |
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2022 |
Hanko (Facsimile) | Copy of a toy stamp Also |
![]() green ![]() |
Plastic console, rubber, ink; pre-inked; edition of 6 |
5.5 mm dia imprint | Z |
O |
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2022 |
Mies Hitchcock | For every Mies there is a Hitchcock, but not vice versa. On seeing one in the other more often than not. Published through Flowers |
![]() white ![]() |
Digital print, staple bound, 68pg self cover, 30 copies Supplementary video |
4 × 6 in | B |
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2022 |
Florence 1992 | A quick reflection on and reconstruction of a 30-year-old image. |
![]() grey ![]() |
Digital print, staple bound, 28pg self cover; 4 × 6 in booklet in envelope; 30 copies |
4.2 × 6.2 in | B |
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2022 |
P_____ | — |
Digital print, foiled and punched covers, page counts vary; Seven issues |
8.9 × 22.5 cm | Z |
B |
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2021– 2022 |
F_________ | Desc. II, Desc.; III, Desc.; Rest ref. log |
— |
II-24pg, III-32, IV-32, V-28, VI-24; VII-44, More; gw, staple bound; open numbered edition; July 2021–July 2022 Issues IV, XII, XXIV Ø or included with purchase. |
4 × 6 in | Z |
B |
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2022 | F[_________:] Raspberry [_________:] Raspberry Too |
Desc. | ![]() pink-white ![]() |
Digital print, folded, (both) 14pg equiv., open numbered edition; free or included with _________ XIV |
2 × 6.3 in | Z |
B |
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2020– | Freedom II | — |
Webpage with timer |
Varies | Z |
W |
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2019– | Flowers |
flowers.world | — |
Z |
W |
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2019 | Photographs I took (from Facebook): Last One, Real Quick | ![]() red ![]() |
Digital print, five 8 × 13 in quarterfolded sheets in sleeve (or in sealed sleeve at fairs), 30 copies. Free in IRL or cover shipping | 4.3 × 7 in overall | B |
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2019 | Phin (& Friend)/TY MMC | Desc. | ![]() woc ![]() |
Digital print, staple bound, 24pg self cover; 1 copy for MMC[/open digital edition] | 4 × 7 in | B |
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2018 |
Close-cropped Ikebana | ![]() woc |
Digital print, cardstock cover, staple bound, 24pg; second edition of 50 | 4.8 × 7 in | Z |
B |
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2018 | / | A reading of/notations from Sarrasine. | ![]() woc ![]() |
Digital print, staple bound, 60pg, open numbered edition |
4 × 6.5 in | Order | B |
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2018 | Teen Spirit II | EDP Notes; Also |
![]() woc ![]() |
15ml | Z |
O |
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2018/ 201610 |
Untitled (何時まで—) | Watch that stopped at 12:16:23 on Wednesday, May 25, 2016. See also DTY. |
![]() black ![]() |
Watch | 34mm case, 8.875 in length | Z |
O |
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2018 | Perfect Lovers (Economy II (after Felix Gonzalez-Torres)) |
Also, also | ![]() blue ![]() |
Pair of watches | Each 1.06in case with leather bands, 8.25in length |
Z |
O |
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2018 |
LemUntitled (レモン) | Also | ![]() yellow ![]() |
Plaster, paint; ideally set on corner of white horizontal surface >5ft off ground, Edition of 2 |
3 × 2.25 in | Z |
O |
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2018 |
Untitled (Perfect Lover) | ![]() white ![]() |
Alarm clocks, ideally separated by a distance ~/+ 11mi | Each 2.2☓2.2☓1.2in | Z |
O |
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2018 | De minimis |
F2018 (Vol. I, No. 1) Desc. |
![]() blue |
Digital print, staple bound, 32pg; 27 copies | 27.9 × 10.7 cm | Z |
B |
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2018 |
9–5 I. A–Z | Desc., II | ![]() blue-green |
Digital print, staple bound, 38 copies | 4 × 7 in | Z |
B |
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2018 |
Blues | Eyeglasses |
![]() blue ![]() |
Acetate Edition of 2 |
43-22-145 | Z |
O |
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2018 | Template for Resignation Letter to New York-based Couple-run Architecture Firm |
— |
Cloud-based document | 418 words | Z |
NW/A |
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2017/18 |
Resignation |
Alternate title I: 9–6/9/12/3 |
![]() blue ![]() |
Watch on blue cord, and 4 additional colored cords (R,Y, W, K). | Watch (24.5mm/.96in face, 29.5mm/1.16in case) on blue cord (32.3cm/12.75in drop; 4 additional/subtitute lengths of cord, same dims. Numbered and editioned inside casing. Open edition. |
For CA, BZ, FF, PL, SC | O |
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2017 | Hanko | Stamp Also |
![]() blue |
Self-inking stamp | 0.25in dia imprint | Z |
O |
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2017 10 |
Love | No preview | Self-inking rubber stamp | 1 × 2.25 in imprint | O |
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2017 | images from a book i cannot afford | Published through Booklet | ![]() white |
Digital print, cardstock cover, staple bound, edition of 30 | 6.6 × 7.9 in | Order | B |
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2017 | YM | _ukio _ishima Ref. |
![]() grey |
Digital print, staple bound, 20pg, 50 copies; booklet wrapped in wideside | 4 × 7 in | Try | B |
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2017 | Reading Room fascimiles | For Kaneji Domoto at Frank Lloyd Wright’s Usonia (Center for Architecture) The Monthly Usonian (all issues of neighborhood newsletter) The Taliesin Experience by Robert Siegel (May 1985) Usonia Homes Cooperative Inc. brochure (Compilation of) By-laws, Covenants, Design Panel Agreements, Assets & Liabilities, Membership List, etc. and more |
![]() red |
Digital or offset print, staple or file fastener bound; 2 exhibitions copies and 3 extras of each title | Various | LW | Z |
B/E |
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2016– / [[198#–,] [2008–,] 2014–,] 2016– | Freedom | Y : D : H : M : S See also, also immigration, citizenship |
|
Webpage with green 509 × 738px, white 1275 × 1650px, blue 520 × 738px divs containing countdown timers | Varies | Z |
W |
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2015/16 | Untitled (short "-sleeve t-shirt, white with circle of blue dolphins, Felix Gonzalez-Torres"1) |
Summer uniform, etc. 1Ref See also |
![]() blue ![]() |
Blue screenprint on short sleeve t-shirt. 10 produced, open edition. | Dims. vary by shirt. | Z |
O |
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2015/16 | Light Blue | ![]() blue ![]() |
Blue enameled 60-watt light bulb, plug socket[, electrical outlet on white wall]. | 2.875 × 3.5 in lightbulb, 6 in. overall length, edition of 8. | Z |
O |
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2016 01 |
Lemon | For A. | ![]() yellow ![]() |
Foam, ABS plastic, spray paint, edition of 2 | 2.625 × 3.875 in. ideally balanced on the corner of some horizontal surface | Z |
O |
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2016 | D___ T_ Y___ | See also |
white ![]() |
Webpage with text and timer | Varies | Z |
W |
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2016 | Time Lines II | An index of lines containing time(, clock, hours, watch, etc.) in Auden's Collected Poems (Vintage, 1991) | ![]() blue |
Digital print on blue paper, staple bound, 20pg self cover, many copies; each dated and time-stamped | 4 × 6.125 in | B |
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2016 | Time Lines I | An index of lines containing time(, clock, hours, watch, etc.) in Auden's Poems (Knopf, 1995) |
![]() blue |
Digital print on blue paper, staple bound, 8pg self cover, many copies |
4 × 6.125 in | Z |
B |
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2016 | Qualities | Qualities, 2016 "cite a passage, one of many...marked with little slips of paper" (818 / 3) |
![]() white |
Digital print, staple bound, 36pg, many copies | 7.1 × 4.125 in | B |
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2015 |
It's nothing personal | Ideal Re: Work |
![]() blue ![]() |
Self-inking stamp with blue & black ink. | 3.625 × 2.5 × 0.875 in. stamp console in 3.875 × 2.75 × 1 in. box. 2.68 in impression width. Open, numbered edition. | Z |
O |
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2015 |
Domoto Usonia archive | Acquired by UC Berkeley Rel. |
—
![]() |
LW | Z |
ZA |
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2015 | Comfort Zones 17 Lally Columns |
Comfort Zones is a hard-return segregated collection of short stories, ranging from 2 to 170 words in length. 5589 words. 17 Lally Columns documents time spent at an ideal house (c. late 1900s) in an ideal location after a—3 chapters: 17 Lally Columns, Real Estate, Figures. 1046 Words, 17 images (6 Sourced, b/w; 11 Taken, color), 1 reminder. |
![]() white |
Digital print, staple bound, 28pg, many copies Digital print & color, staple bound, 32pg, few copies |
Each 7.125 × 4.1 in |
Z |
B |
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2015 | FUIWDWUTM I | A snowballed, fiveII,II,I character account on shortformcomma syntaxcomma surfing Internet archives for proofII/Vcomma contextcomma and what it has to do with being yrscomma etc. Rendered in a c.MM font lacking its numbers and most of its punctuation. Accompanies and fine-tunes Birdsong. |
![]() white off |
Digital print, staple bound, 8pg, 100 copies | 5 × 7 in | Z |
B |
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2015 |
Birdsong | Birdsong, 2015 501 as-is tweets (6,989 words), from February 12–Mar 7, that formed a complete narrative by chance. On: the fallout of this show & NY Boys; Art Anagrams IV ~continued & its her's lay of my shitting; the time it takes for material to become material then work and the ppl material involves; territories; various /dis-/affect/at/ions re work and its treatment; nothing personal; etc., etc., etc. Twain on the broadside. |
![]() white |
Digital print on newsprint, staple bound, 40pg, 100 copies | 5 × 7 in booklet wrapped in 10 × 14 in broadside; sleeved. | Z |
B |
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2015 | Teen Spirit | Work for a show in Glasgow, February 12 - March 7, 2015. Titles for work imaged at right: Options on our time (watches), Facsimile, NY Boys, Blue Notebook, Teen Spirit, Smokes, Holophrase (pin), & I don't know, he never responded to my e-mail (pendant).
|
![]() blue ![]() |
Refer to this page. | Various; Installation dimensions: [all items on] 120 × 160 cm deodorant stick-mounted glass table top | B/E |
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2015 June | HOLZER WRITING & DIFFICULTY HOLZER PROGRAMMING HOLZER COLLABORATION HOLZER PROJECTION FOR CHICAGO |
Transcripts of four Jenny Holzer PBS Art:21 snippets. Respectively: |
— |
Videos (reference) | 205 words 180 words 145 words 246 words |
Z |
TR |
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2015 | W*WONG DESIGN, WIT & THE CREATIVE ACT TALK |
Transcript of [Rama Chorpash as] Tobias Wong at Core77's Design, Wit & the Creative Act offsite event on November 9, 2007. Video here. *[CHORPASH AS] |
— |
Video (reference) | 1,637 TW words / 1,664 words | Z |
TR |
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2015– 2017 |
Blue | — |
Many | 4.5 × 6.5 in | Most: CL, R, _ | Z |
C |
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2014– 2020 |
MMTWTFF |
— |
— |
Z |
W |
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2014 | Never | .- / .-. . .--. . .- - / --- ..-. / .- -. / --- -... .--- . -.-. - / .. / ... .- .-- / --- -. .-.. .. -. . / - .... .- - / ... - ..- -.-. -.- / .-- .. - .... / -- . .-.-.- / .- / -. --- -.. / - --- / counterculture / . - -.-. .-.-.-
|
![]() white ![]() |
Pinback button, many | 1 in diameter | Z |
O |
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2014– |
EÉdition | edtn.info |
— |
AO, PS, YT | Z |
W |
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2014– 2018 |
Widder Usonia | Work on a Usonian Home in Pleasantville, NY for L. Widder Rel. Press |
![]() brown Polaroid by RY brown ![]() |
LW Dwgs: TS, CN |
Z |
ZA |
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2014 | Book cover (Sturtevant 1584351225 / 9781584351221) |
![]() orange ![]() |
Screenprint on canvas, folded. | 11 × 19 in, flat / ~9-1/16 × 7-3/16 × 15/16 in, folded | Z |
O |
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2014 | MMTWTFF (New from Template...) |
![]() white ![]() ![]() |
Digital file | Variable | Z |
O |
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2014 | Untitled (Clocks) | ![]() white |
B/w, staple bound, 12pg self cover, produced on demand by GP | 21 × 14.8 cm | Z |
B |
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2014 | Things I've seen in zines that I think should be repeated | [Title here] collects the work of Emily Burtner, _, Kevin Malcolm, Milano Chow, Anne Lai, Rae Eden, _, Hands on Papers, Anthony Iacono, Jessica Williams, Ryan De La Hoz, and Chloe Maratta. Published by NSEW Press. |
Risograph print, staple bound, 24pg, 50 copies. | 5 × 7 in | JW | Z |
B |
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2014 | Photographs I Took (from Facebook) V |
|
|
Digital print, staple bound, 24pg, bookmark, 30 copies | 3.5 × 7 in | Z |
B |
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2014 | Self-portrait (Conditional) | 6:54, 10:10, 1:29. See also. |
![]() white ![]() |
Folded toy lenticular watch | Variable | Z |
O |
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2014 | The Sorrows | The Sorrows, 2014 The Sorrows of Young Werther accidentally re-read and used as a delayed response and "unexpected disclosure at just the wrong time" to a two year old email from D._. |
|
Digital print, staple bound, 60pg, bookmark, grey or yellow or blue cover, 30 copies, | 3.8 × 6 in | Z |
B |
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2013 | Art Anagrams: Dead Giveaway | IV: On having witnessed a young-all-over-socials artist discredit another young artist on-line for an attitude mirrored in the contents of this publication / On tempering a response to the first artist's penchant for laying claim. Referent terms absent. See AAs 1-3. | ![]() pink ![]() |
Risograph print on cardstock and 128gsm stock, staple bound, 8pg & card, 20 copies | 5 × 7 in | Z |
B |
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2013 | Photographs I took (from Facebook (Strictly Apologetic)) | Third and last (???) in the Facebook series. | ![]() grey ![]() |
Risograph print, staple bound, 20pg, 30 copies | 5 × 7in | Z |
B |
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2013 | People | ~After Ed Ruscha | ![]() blue ![]() |
Risograph print | 10.5 × 15.5 in, folded. | Z |
P |
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2013 |
Words set to music | ![]() blue ![]() |
Risograph print, staple bound, 20pg self cover, 20 copies | 5 × 7 in | Z |
B |
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2013 | IAn interview he did not publish | ![]() blue ![]() |
Risograph print, staple bound, 12pg, 30 copies | 5 × 7 in | Z |
B |
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2013 | Photographs I took (from Facebook) IV |
![]() blue ![]() |
Risograph print, staple bound, 20pg, edition of 30 | 5 × 7 in | Z |
B |
|||||||||
2013 | Untitled (paint on wall) | The average color of the paint on wall of every blue-backed internet-found image of Felix Gonzalez Torres' Untitled (Perfect Lovers) as of November 13, 2013. R189 G206 B219 C32 M17 Y11 K0 HTML #bdcedb See also |
![]() blue ![]() |
Jpegs Or wall paint, or paint on wall |
Variable | Z |
O |
||||||||
2013 | Red dot | ![]() red ![]() |
Rubies in 925 silver tack settings | 6mm gem, 1/2 in length | Z |
O |
|||||||||
2013 | Timestamp |
Or Untitled (11217) |
![]() black |
7USD, Tracking | "3/4 × 1 in" | AL | Z |
O |
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2013-, 2011- | Untitled | Various (3) _-_ _. |
![]() white emoticon |
Various | Various | Z |
DF |
||||||||
2013 | Timecard | A card for NSEW Press' Winter Postcards series. Thank you Jessica Williams. |
![]() blue |
Blue risograph printed postcards | 4 × 5.5 in | JW | Z |
P |
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2013 | Broadsides | Broadsides, 2013 A consideration for petrellasimports.net. Thank you: Anne, Elise, and Sophie. Download (defunct) |
![]() ![]() white |
9 pages/ideally 7 A3 sheets folded in eighths, unlimited copies. | 105MB | Z |
B |
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2013 | Untitled (FGT ABT&GSG, 1992) | Ref. | ![]() black |
Digital print on cotton shirt, embroidered hang tag | US Mens XS, S, M | Z |
O |
||||||||
2013- | Listening Material |
Live feed; attentions vary. Thursdays 9:30amUTC+9 / convert
|
— |
Live feed | ~20:00-45:00 each | Z |
DF |
||||||||
2013 |
STURTEVANT IN PARIS [BY FRIEZE] |
Transcript of "In Paris with Sturtevant", on Frieze Video from March 21, 2013. Corrections welcome. See also.![]() |
— |
Video (reference) | 531 words | Z |
TR |
||||||||
2013 Aug 5 |
STURTEVANT: LEAPS JUMPS AND BUMPS |
Transcript of a video on Elaine Sturtevant on Nowness from August 1st, 2013. Corrections welcome. See also.![]() |
— |
Video (reference) | 280 words | Z |
TR |
||||||||
2013 | Self-portrait | See also. | ![]() white |
Transparent self-joined watch band | 4.5 × 0.75 × 0.125 in | Z |
O |
||||||||
2013 | PROTECT ME FROM WHAT YOU WANT | You, not/and I(Holzer) | ![]() black |
Embroidered (cotton twill, fabric strap & buckle closure) cap, open edition. | OSFM | Z |
O |
||||||||
2013 | Lacquer (Paulistano) | ![]() blue |
Paulistano chair (leather, steel), navy lacquer | 33 × 27.5 × 27.5 in | Z |
O |
|||||||||
2013 | French Window (after Sturtevant after Duchamp) | ![]() green blue |
Wood, enamel, metal, one-way mirror glass, perspex, corresponding aperture in wall |
30.5 × 17.625 × 2 in | Z |
O |
|||||||||
2012–, 2013 | ot_dna_morf_neewteb _ni_ial.gif |
<< |
![]() white emoticon |
Animated gif | Dimensions variable | Z |
DF |
||||||||
2013– [/,]2025 |
I[Inventory (this) format for website/webpage] |
— |
General update | Z |
F |
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2023/ 2013 |
LA Lover's Dog-ears | Desc., Note, Ref. | ![]() black |
Digital print, staple bound, 56pg, 2pg insert, bookmark, open | 5.4 × 8 in | Z |
B |
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2013 | A Lover's Dog-ears | Pages dog-eared by the previous owner of my copy of Barthes' A Lover's Discourse. Notations and marks on the pages have been used to translate the attentions of the former reader as both divergent account and exacting affinity. |
![]() black |
Digital and risograph print, staple bound, 56pg, 2pg insert, bookmark, 25 copies | 5.5 × 8.25 in | Z |
B |
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2012 | Tail End | ![]() black |
Wall clocks Felix Gonzalez Torres clocks felix the cat | 25 × 4+ × 2.5 in | Z |
O |
|||||||||
2012 | sottsass-seating-near-enigma.jpg | Sottsass's Seating Near Enigma (1983) constructed from two reference jpgs. Photo by Ai Oe. |
grey |
Cardboard, chipboard, glue, paint (acrylic, enamel, lacquer, tempera) | 27 × 18 × 27.5 in | Z |
O |
||||||||
2012 | Ken Kagami interview |
Mirror | — |
2,942 words | KK |
Z |
I |
||||||||
2012 | N国歌 [National Anthem] | Sō, sō, sō [...] Sō ne. | ![]() red |
Screenprinted card, ??? copies | 6 × 4 in | Z |
P |
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2012 | P.E. Ball | After Kazuo Okazaki, not necessarily as a parenthetical. 岡崎和郎に続く、挿入句的とは限らずに. |
![]() white |
Rubber playground ball, enamel, air | 8 in diameter | Z |
O |
||||||||
2012 | Platonic Affairs | (Set of Swatch) Watches repaired, set renamed. One keeps the hours, one keeps the minutes; for two. | ![]() black |
Watch faces, bands, and clasps | 9 × 1.375 in each | Z |
O |
||||||||
2012 | Sejima | ![]() white |
Tube of SPF 100+ sunblock | 3.3 fl. oz. | Z |
O |
|||||||||
2012 | Telephone Peace | On Yoko Ono. | ![]() white |
Scissors with white handles | 4.75 × 2.25 in | Z |
O |
||||||||
2012 | pA Piece of Sky | On Yoko Ono, etc., etc., etc. | ![]() blue |
Pair of adhesive silicone nose pads and surround on backing paper, endless supply | 1 × 1.25 in backing | Z |
O |
||||||||
2012 | Move On Yoko Ono |
Play |
— |
3:44 loop. | Z |
DF |
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2012 | Reader's Block |
[Lost. Send me a copy.] | — |
Digital print, perfect bound, 190pg (67,721w), open edition. |
5 × 7 in | Z |
P |
||||||||
2012 | Tragic Cats | Digital print, accordion fold, in sleeve; open edition. | 8.1 × 11.3 cm | Z |
B |
||||||||||
2012 |
Close-cropped Ikebana | For several fellow foreigners and on time in Japan |
![]() woc |
Digital print, cardstock cover, staple bound, 32pg; first edition of 50 | 4.8 × 7 in | Z |
B |
||||||||
2012 | Photographs I Took (from Facebook) 日本語 |
![]() blue |
Digital print, staple bound, 20pg, 25 copies | 5 × 7 in | SO (cover) | Z |
B |
||||||||
2012 | Sore Loss, Big _ Deal, Various Authors |
Or a Quick Look at Friend Art, part 0. | ![]() blue green |
Digital print, staple bound, 16pg, 10 copies. |
5 × 7 in | Z |
B |
||||||||
2011-12 | qA Quick Look at Friend Art in Japan, part | 1 — 2 3 Google Translate recording (English to Japanese), 2:28. 4 |
— |
Various | Various | Z |
DF |
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2011 | Pure Decadence |
Criticism/bootlegs; doodles. All books enveloped. |
![]() ![]() ![]() ![]() ![]() ![]() multi |
1(B). 44 pages, 15 × 21cm, digital print on recycled paper, staple bound, /200, 2011 2(OW). 44 pages, 15 × 21cm, digital print on recycled paper, staple bound, /200, 2011 3(P). 32 pages, 13 × 19cm, digital print on recycled paper, staple bound, /150, 2010-11 4(C). 24 pages, 14.1 × 20cm, digital print on colored paper, staple bound, /150, 2011 5(GP). 20 pages, 15 × 21cm, digital print on recycled paper, staple bound, /100, 2010-11 6(G). 28 pages, 15 × 21cm color digital, staple bound, /50, 2011 |
15.5 × 21.5 cm enveloped | Z |
B |
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2011 | SA Sudden Gust of Wind (after Jeff Wall) | ![]() white ![]() |
Digital image file | Variable | Z |
DF |
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2011 | boxA box of something else | On Yoko Ono. | ![]() silver |
Engraved silver box (empty) | 2 × 2 × 2 in | Z |
O |
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2011 | Water box | ![]() white |
Porcelain |
1 × 2 in | Z |
O |
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2011 | Time | For someone in NYC. | ![]() white |
Eraser, ink | ~1 × 2.5 × 0.5 in | Z |
O |
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2011 | Perfect Lovers (after Felix Gonzalez-Torres) | ![]() blue |
Watch faces, watch bands | 9 × 1.375 in each; dimensions variable when worn | Z |
O |
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2011– | Perfect Lovers Forever (after Tobias Wong after Felix Gonzalez-Torres) | perfectloversforever.com | Virtual clocks | Dimensions variable | Z |
W |
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2011 | c"Critical Reflections on the Ontological Illusion
Rethinking the Relation between ___ & _______ 1 " |
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Pair of non-skid doormats (blue on navy blue carpet inlay), outsourced | 2 × 3.3 ft | Z |
O |
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2011 | B●● at IWAB |
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Blue or yellow dot (sticker), 22 dots total on 22 Tuning Section artists' wall tags; 5mm each -- Digital print, colored covers, 27 books (2 yellow, 20 blue offset on blue, 5 reference volumes/white), 8 - 228 pg; 5 × 7 in each; Digital variant, tuningreader.info |
BRB | Z |
E |
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2011 | STURTEVANT ART BIENNALE 2011 (INTERVIEW) | Transcript of (a video of) an interview with Elaine Sturtevant at the Venice Biennale 2011 from June 6th, 2011. Corrections welcome.
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Video (reference) | 557 words | Z |
TR |
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2012 | STURTEVANT DELEUZE ABÉCÉDAIRE, FIRST SERIES | Transcript of the video STURTEVANT, Deleuze Abécédaire, First Series, at Galerie Thaddaeus Ropac - Sept. 11 2012 from September 22, 2012. Alternate video: STURTEVANT | Galerie Thaddaeus Ropac | Paris | 2012 |. Corrections welcome.
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Video (reference) | 264 words | Z |
TR |
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2012 | STURTEVANT['S PERSONAL WORK OF ART -] FRANCE 24 | Transcript of a France 24 interview with Elaine Sturtevant from April 2nd, 2010. Corrections welcome.
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Video (reference) | 953 words | Z |
TR |
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2011 | STURTEVANT OPENING-DAY ARTIST TALK AT THE WALKER ART CENTER | Transcript of Elaine Sturtevant's Opening-Day Artist Talk at the Walker Art Center from April 25th, 2009. Corrections welcome.![]() |
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Video (reference) | 6885 words | Z |
TR |
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2011– | Trustisms | On not knowing how to consume the work of Jenny Holzer, but having always wanted to trust in it nonetheless. Lists of phrases are selections as trusted by each author, from Holzer's Truisms. Participate 参加するには、ここをクリックして下さい。
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A) Holzer's Truisms selected by each participant, risograph print on colored paper B) [For Works of Art on Paper, TMMA, 2012:] risograph print on paper, endless copies (for the duration of the exhibition) |
A) 8.5 × 11 in each sheet B) 11.375 (ideal height) × 8.25 × 11.375 in |
AM-A, AL, BG, BB, BT, BK, BB, CR, CM, CL, CS, CC, DM, DR, DM, EN, GW, HC, JC, JM, JA, JH, JT, LB, ME, ML, RE, ST, SW, ST, SS, SK, TL, TE, WM | Z |
P/E |
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2011 | Holzer Truisms (日本語) Holzer Truisms in Japanese |
Jenny Holzer Truisms translated to Japanese
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Jenny Holzer's Truisms | Z |
TR |
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2011 | Photographs I Took (from Facebook) | ![]() pink-v |
Digital Print, staple bound, 32pg, 25 copies. Three print runs. | 5 × 7.5 in | Z |
B |
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2011 | Land Art | ![]() blue |
Digital Print, staple bound, 16pg | 5 × 7 in | Z |
B |
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2011 | 104 words in the private history of a love that failed | ![]() yellow |
Photocopy, 1/50 colored paper covers, 1/104 individual notes, envelope, transparent elastic cord, mixed-to-match-the-cover Holbein pastel pile in plastic bag, 110 pages, edition of 104 | 6 × 8 in | CR | Z |
B |
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2011 | Art Anagrams | General Terms - 36pg, 25 copies, 5 × 7in On Ed Ruscha - 152 Ruscha titles anagrammed. Cover is the average color of the paintings from the year that produced the most anagrams (1989; R105/G106/B116). 72pg, 25 copies. On Laurie Anderson - 80 Laurie Anderson titles anagrammed (in select cases, several times) arranged by album. Cover is bright red, as in Anderson's 1994 album title. 36pg, 25 copies. |
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5 × 7 in | Z |
B |
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2011 | portrait | ![]() white ![]() |
bag (white), endless edition | Dimensions variable | Z |
O |
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2011 | Walter Wayle IV, or, Harpooners Watch (by MAE, etc.) |
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Swatch watch faces, watch bands, gem cases, paperings, corresponding box recovered, generic watch face covers. |
Edition of 2 boxed sets; 1.375 × 9 in watches, installation dimensions variable | 240923R NI | Z |
O |
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2011 | H“has declined comment on these criticisms and allegations”* | One of two contributions to Fixed. Two Comme des Garçons shirts re-paired and repaired. *Ref |
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Two Comme des Garçons shirts from 2003, two glass hangers |
Dimensions variable | Z |
O |
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2011 | Hints & Incidentals | Tourist Objects, part 2. | ![]() white |
See mirror. | Various | Z |
O |
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2011 | Gestures | mask (engaging two): S, M, L Godard still (requiring two): S/M, S/L your tender/tender/tender (requiring two): S/M, S/L, M/L tenuousness (to speak of two): S, M, L |
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Industry standard work gloves, thread | Dimensions variable | Z |
O/E |
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2011 /2009 |
The shape of my love for you | A shape cut from a piece of mylar while looking directly at a stranger. Shape given to stranger. 2009: A shape cut from a mylar heart balloon belonging to said you while looking directly at the person. This is old and feelings are absurd. |
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Silver mylar or silver cardstock, two forms of seating, a pair of scissors, a stranger, edition of 15 at KLG. 2009: Red mylar, scissors, you |
Shapes within a dimension of 8 × 11 in or 12 × 13 in 2009: 10in. approx diameter |
Z |
O/E /NW |
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2011 | Ideal Weight | Wrapped-as-a-pair candies bagged or piled to the average weight of two hearts. | ![]() ![]() ![]() ![]() silver |
Cellophane wrapped candies, ideal weight 500-700 grams (22-24 ounces) | 9 × 12 in cellophane bag, dimensions variable | Z |
O/NW |
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2011 | INFJ, Ltd. | ![]() blue |
Engraved acrylic sign in holder |
2.5 × 8 × 2 in | Z |
O |
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2011 | Onsen | Matches a particular brown skin tone when drowned. | ![]() nude |
Elastic hair tie, (93% silk 7% elastane) sheer suit with tonal topstitching |
Custom | Z |
O |
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2011 | Masks | ![]() ![]() silver |
Gold and silver lamé gloves stitched to gesture; enveloped | Both size 7 | 240923R | Z |
O |
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2010 |
Bad News | Rope that unravels for the weight of a person. R.I.P. Tobias Wong. | ![]() silver |
Joined and braided and woven aluminum, silk, and pure silver tinsel-type lengths | 17.5 ft length | Z |
O |
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2010 |
On Kawara stamp kit | ![]() white |
Rubber letters and plastic consoles in case | BRB | Z |
O |
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2010– 2011 |
250 Words or Less | 125 reviews of almost all the art or art-related shows seen (in Tokyo) over the last year and a half, in 250 words or less. All but the two sentence entry equating the work of _ at [gallery name] to a friend's collection of toenail clippings that he made while he was in Italy are stated in serious, non-casual language and were productive considerations at the time. On monoculture. Each entry in English and Japanese — Lost. Please email me if I sent you a copy. |
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Digital print on newsprint, staple bound, 128 pg; 10 copies | 5 × 7 in | Z |
B |
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2009/ 2011 |
Unknowns & Givens | Short fictions from late 2008 | ![]() blue |
24pg, digital and inkjet print, Letraset rub-on titling. Edition of 50. | 5.75 × 8.25 inches | Z |
B |
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2009 | Masks |
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Crepe paper, cotton interfacing, elastic cord, staples |
BRB | Z |
O |
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2009/ 2011 |
F[Fabric] | ![]() blue |
Hand screenprinted canvas, 3 bolts printed | 90 cm × 10 m bolt | Z |
F |
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2009 | No architect is an island |
RISD NCARB accreditation show Curatorial work (& model redux!) |
![]() blue |
LW | Z |
ZA/E |
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2008 | Architectures of Nonchalance, |
BRB/Still floating around online |
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For BM, TS, WR, KS, CZ | Z |
ZA |
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2006– 2007 |
Kit for Diaspora |
A record of generative work for Architectures of Nonchalance, in miniature (1/8 scale)/record keeping for weirdos. Rest BRB (maybe never). |
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Various items in box | Z |
ZA |
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2007 | Chocolate Factory | Architecture competition submission Main Chocolate Factory (L); Scattering of houses on a pale site plan (R) |
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Pencil on paper | Both 18 × 24 in | Z |
ZA |
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2006– 2010 |
Repeats | Repeats of the work of people around me; typ. paintings. Imaged at right: WENDEL An Abridged History 2005/6. Oil on canvas; 48 × 48 in. MARTIN Crazy April 200_/8. Acrylic, enamel, gouache, gold leaf on board; 10 in diameter. ROESING [1 of 3] 2007. Acrylic, gouache, pencil on chipboard; 32 × 24 in. Other |
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Various | Various | Z |
Z— |
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2006 | ET AL., ETC./etaletc.org | — |
Z |
W |